Monday, December 15, 2008

Bret's Birthday Bash Review and How Being In A Band is Like Being Married

Still shaking off my hangover from this weekend, but here's a recap of how our 2nd gig ever went.

My girlfriend, 2 of our married friends, and I loaded up her car with all the gear and drove down to Victoria Friday after work. We spent Friday night in Victoria and drove down to POC around noon on Saturday. At about 2, we went over to the yacht that Bret works on to get a tour. I had seen it before, but it is kick ass. $1.5 million can get you one nice boat. At about 3, I cracked my 1st beer. We chilled there for a couple of hours, then went to Josie's for lunch. We were feeling ready for a nap after 5 beers and a greasy mexican plate, so we went over to my brother's bayhouse and slept for about an hour. At about 7, I met Keith and Sarah over at Josie's and we started unloading and setting up.

Admittedly, I had a pretty good buzz before the gig even started. I kept drinking beers while we set up and after we were done, people (including my married couple friends and their bottles of Jaeger and Herradura) started showing up. By the time we were ready to play at about 10:30, I had drank 3 shots of Jaeger and about 8 beers. In retrospect, this was more than was wise.

From the time Bret had asked me if we would play this gig, I had developed a very strong sense that playing our music in front of people whose list of favorite bands consists of Pat Green, Stoney LaRue, and Cross Canadian Ragweed was not going to go over well. My feeling was that this was a birthday party, not a rock show. I thought the best idea was to play mostly songs that were either funny or covers, and save the bulk of our set for another time. At a hurried practice on Thursday, I brought this up to Keith. He disagreed.

Being in a band is kind of like being married. All the decisions have to be discussed, and compromises have to be made by everybody in order for things to move forward. That's why Behind The Music episodes are so Soap Opera-esque. One of the fundamental differences between Keith and I is how we view "what the band is all about". For my part, I'm an entertainer. I've never really considered myself a "musician" and I probably never will. I don't play guitar and sing to make music that is technically sound. I play guitar, write songs, and perform them for the sole purpose of entertaining people. As long as the crowd is happy, I'm happy. Keith was raised with music. He is leaps and bounds and head and shoulders ahead of me and WAY better than me when it comes to playing instruments. The music really matters to him. Being out of tune or stopping in the middle of a song or missing notes bothers him a great deal; those things don't really get to me as much. On the other hand, if the crowd is not into it or is grimacing, cringing, and/or booing, it really, really gets to me. Keith takes it in stride. Neither of our approaches is wrong, they're just different. In fact, if they're managed correctly, they can be complementary.

Long story short, Keith was adamant about playing our songs regardless of how the crowd reacted. I was adamant about playing to what I thought were the crowds tastes. In the end, our set list was a compromise that I don't think either of us were totally comfortable with.

We started off with "Waste My Time", which I thought would be good because it has a funny chorus ("don't talk to me unless you're going to sleep with me"). It felt good starting out. The only bad things about it was that I had decided to use my acoustic guitar instead of playing my Telecaster like I usually do. This was a mistake because the acoustic is harder to play. It sounds better and stays in tune WAY better, but it is harder to fret than the Tele. This affected the performance--I kept missing notes and just messing up overall. Even still, I thought the song sounded okay. We finished it up and things looked like they were going to be alright.

Next we played Tyler, which I thought would be good because it's a cover of a hit by Toadies, so it was something people had heard before. For me, this is where things started to derail. For one thing, I was pretty hammered. For another, I started noticing people moving towards the door, and the people who were watching were either looking on with a cringing grimace or moving further away from us. People I talked to later disagreed that these social cues meant we sucked. They rationalized that people were going outside to smoke. They said people were moving away from the stage because it was loud and there were people dancing. They said people weren't grimacing or cringing at all. Regardless, my confidence was shot by time I screamed my last "I will be with her tonight".

Our 3rd song was a bit of a rebound. I think both Keith and I and anyone who has seen us will agree that "Down Here Together" is our best song. Right before we started playing it, I switched to my Telecaster. This was smart. The bad thing was that we put new strings on it before the show and somehow they got put on backwards. This caused the B string to constantly come up off the bridge and slip into the G string's slot. It REALLY bothered me and caused me to F up a lot. Despite that, I thought Down Here Together sounded REALLY good and I got the same vibe from the crowd.

Once we started on our 4th song, I totally lost my mojo. First, I could tell that people wanted us to play something they could dance to. "Down Here Together" had reeled them in a bit, and we needed something to get them moving. "Gave It Away" is not something you can dance to unless you count running into each other in a moshpit as dancing. Second, I just didn't feel like screaming any more. One or 2 songs like that are cool, but I don't like being that aggressive for a whole show. Third, I was really, really drunk. Fourth, my guitar was badly out of tune. Fifth, I was REALLY, REALLY drunk. I don't remember exactly what happened, but we didn't finish the song. I'm almost positive that this was all my fault. I just wasn't feeling it. I wanted to spare the crowd from having to endure the misery of my shouting over an out-of-tune overcranked amp and Keith's smashing drums. I totally blew it. The #1 rule of being in a band is YOU NEVER EVER EVER STOP PLAYING IN THE MIDDLE OF A SONG. Ever. I don't care what happens, you NEVER do that. Forget the words? Make something up. Forget the chords? Play whatever comes out. Crowd throwing tomatoes? Make ketchup. I completely choffed; I'm ashamed. Oh well, lesson learned.

By now, I was certain of 3 things: 1.) I was way too drunk. 2.) The crowd wasn't liking us. 3.) Keith was pissed at me for douching that song. I asked Keith what he wanted to play and he said 10 Feet Tall. I started it off and it just never came together. I don't know whether or not we even finished the song, but either way, in my mind it was an unmitigated disaster.

I was ready to just quit. I felt like a total douchebag. In a last stab at redemption, I started playing "Have a Good Time". The chorus of the song is "Don't worry, baby, we gettin' fucked up tonight". It was sure to be a winner. Things went well, and the crowd was getting back into it, but just as they were, Bret had an announcement to make, so he grabbed the mic and we were done for.

I immediately we to the table and took 2 more shots of Jaegermeister. A couple of Bret's friends who had been biding their time for the stage immediately jumped up and took over. They started off with "Gin and Juice" by the Gourds and that song by Cross Canadian Ragweed that goes "Them boys from Oklahoma roll their joints all wrong...". Of course, the crowd freaking ate it up. The worst part was that Keith, who had sworn not to play cheesy covers or to play for the other people who took the stage, rocked the drums the whole time. Uggh.

A long time and a lot of alcohol went by. Just after midnight, Keith and I decided to take another crack at it, mostly because Bret wanted to hear a song I wrote called "Gettin' Busy". We started off with "How Do You Like Me Now". It went ok. Then, Brittanie came up and asked me to play a song I wrote called "Not Too Late". It's one of these alt-rock ballads in the mold of Dashboard Confessional or Linkin Park. I don't know whether or not it was pure alcohol, but we sounded AWESOME. It felt like the crowd was totally into it.

The bar did last call, so I busted into "Gettin' Busy" with all the drunken fervor I could muster. It's a fun, catchy song about doing the hibbity-dibbity, so of course the crowd loved it. We finished up, drunkely loaded our crap into the car, and headed back to bayhouse to get even more wasted.

Good things:

-"Not Too Late" was awesome. I have found a new love for this song.
-Eloisa, one of the owners of Josie's (who is a REALLY cool chica), apparently loved us and told me "I had such a blast, you guys rock! Y'all definitely have to come back!" I'm pretty sure she was drunk.
-There were a table of cool guys from San Antonio that didn't know Bret at all, and I think they liked us.
-Two different girls came up to me at the party and told me we were awesome and reminded them of Toadies. I'm pretty sure they were drunk.
-According to my brother Chris, "Down Here Together" is a hit. I'm pretty sure he was drunk.

Bad things:

-I did the ultimate no-no and stopped playing in the middle of a song. Twice. I deserve for Keith to use my face in place of his snare.
-I got a really bad vibe from the crowd for most of the show.
-I inadvertently gave away $300 worth of band t-shirts. The box was sitting out next to our gear, and apparently that means "Hey, these are free! Take them even though you hated the band and would never support them in any way!"
-No telling where Stevenson Road goes from here. I wouldn't be surprised if Keith never wanted to play with me again; I deserve no better. I think if we recorded a few tracks professionally, we could start gigging here in Austin and pick up some momentum. Until we have something to show folks, I don't know what more we can do. I really think we have some great songs and are polished enough to put on a good show in the right scenario.

Boy, I HATE Cross Canadian Ragweed.

Thanks for reading, hope y'all have a good week and a Merry Christmas. Much Love.

6 comments:

Douglas said...

That account seemed like you were hatin' on yourself a bit much..but i wasn't there.

Why hate on CCRW so much? I like their music.

Stevenson Road said...

I hate CCRW because I lump them in with Pat Green and his cronies...all they do is serve to steal money from real Texas country artists like Steve Earle, Ray Wiley Hubbard, etc.

Plus, they're from Oklahoma.

Rimas Kurtinaitis said...

I hate CCRW b/c their scene is full of douchebags and their music is nothing original.

Pretty harsh review. I'm sure it went better than you're remembering. Getting hammered before playing is definitely a no-no, though. You just have to push through to the next gig.

Stevenson Road said...

The concensus everyone told us is that I was being too hard on myself. I'd much rather be too hard on myself than oblivious to the fact that I suck.

KB said...

I bet yall rocked, and I bet Keith was pissed when you stopped playing. He was none too happy the time yall played in your studio and you kept stopping. I'd recommend not drinking shots when playing next time. it's not like you need to ease your nerves. You know you can play. Just drink beer in moderation next time and play. Get drunk after.

Stevenson Road said...

Yep, getting hammered was the crucial mistake.